Thursday, May 21, 2015

ART ATTACK: Claude Cahun


Hey y’all! Sorry for the brief hiatus – going through big, exciting life changes! But I’m back with a vengeance with one of my all-time favorite artists, Claude Cahun.



Cahun is incredible, besides her art, for several reasons:

S 1) She was born to a French Jewish family in 1892 in a world becoming increasingly hostile to Jews, none of which prevented her from speaking out against injustice or creating art.

   2)  She was openly gay, in a committed relationship with her (amazing) partner, Suzanne Malherbe (a.k.a. Marcel Moore), who was also a working artist

   3) When the island they lived on was invaded by Nazis, they revolted artistically (posters plastered and thrown everywhere) so effectively that the soldiers truly believed that there was an actual underground resistance network on the island.

And that’s without even mentioning her spectacular photographs. Cahun broke all the rules of identity and gender, 80 years before Postmodernism would even get its name. Her self-portraits show her dressed as a man, buzz cut, costumed as a clown, a weightlifter – her identities flit from photo to photo, refusing any easy label or cohesive meaning. As Fiona (no last name mentioned) from the Feminist Art Archive, describes it:

“She understood herself as an ever changing collection of identities, flowing from one to the next, rather than a single or linear identity.”



I find Claude Cahun’s work striking and profoundly moving. In a time when being different, othered, was often a death sentence, she unabashedly claimed her identity, in whatever shape or performative manifestation it came in. She challenged ethnic, sexual and gender codes in order to create works that question our fundamental beliefs about who we are as humans and spectators. She turns the gaze back on us and makes us ask – what do we look for in a picture? Why is it unnerving when her gender code cannot be read? What does this say about the sexual dynamics in looking? She turns questions back towards the subject and how they have learned to look, to look for – gender, sexuality, identity – in these representational practices.




Her works are vastly intriguing and largely ignored – overshadowed by her male, Surrealist counterparts. But her work will always stand out to me as innovative, daring and deeply brilliant. 


Links:

Theodor Adorno's piece about Anti-Semitism and the turn towards the subject 

She is on view in London now!

Monday, May 11, 2015

Boyfriend-zone

We were play-rough-housing:

*looks deep into my eyes
"this is how I hurt you"
*closes my tumblr app*

#feministguys #ouch #nerdfights 


Saturday, May 9, 2015

Boyfriend-zone

"That's the power of feminism. YOU get to choose." -Kevin *wipes away proud tear*

Single Eagle Tear: "Girl Crush"

Time for my first Single Eagle Tear  post, where I do what I do best: complain!

When I first saw the song "Girl Crush" by Little Big Town I was like - Country? Lady Crush? ALL MY DREAMS ARE COMING TRUE.


Even the first verse was promising:

"I got a girl crush
Hate to admit it but,
I got a hard rush
It's slowing down
I got it real bad
Want everything she has
That smile and that midnight laugh
She's giving you now"

Wait....what??? "She's giving you now" - Nooooooooooo! That's right this song, entitled Girl Crush, is, in fact, about a dude. Her "crush" on this girl is a creepy wannabe crush because she is in a relationship with a man that the singer's character is into. Lame.




But, I never like to end my posts on a sad note, so here is one of the GSD-friendliest country songs I've come across, "Follow Your Arrow" by Kacey Musgraves. Cute, funny and great for belting in the car on a long, country road.


Friday, May 8, 2015

LGBTQ-why?


I mentioned in an earlier post that I identify as “queer,” instead of bi because it makes me more comfortable because I don’t believe that other people necessarily need to know the ins and outs (no dirty joke intended) of my orientation. I realize that this is an intensely personal and subjective choice; “queer” has never been used against me, to break me down and so is still a safe space for me and my identity.



Having a word means having a place in our language, which means having an acknowledged and realized social identity. Those words often gain their most meaning, though, relationally, as in the acronym LGBT(QI). James Nichols says it best in his HuffPoarticle:





This acronym started out as a coverall term for a group of diverse people whose identities, lives and loves were questioned and persecuted. It was a profound linguistic move, an admirable coverall – but, like an old sweater, we’ve outgrown it. It’s not bad, it’s just how progress works. We are in a time of an identity revolution. We are starting to see, as a society, more and more identities (genderfluid, genderqueer, asexual, demisexual, intersex etc.) being made increasingly visible in discourses and in the media. With this welcome and wonderful proliferation of terminology and identity possibilities, the former catch-all, LGBT(QI), just isn’t catching us anymore.

It’s time for something different – better.

When I began researching for this post, I couldn’t think of alternatives to LGBTQI except my own adopted term. So when I stumbled upon the acronym GSD, it was an epiphanic moment. GSD is an acronym meaning “Gender and Sexuality Diversities.” It started out at GSM – with the M standing for Minorities – but transformed into a more welcoming, positive term. Obviously, nothing is perfect and this term, like any other, can and should be critiqued to improve it, but I think it is the best term I've seen so far. It groups us together without generalizing, without forgetting the “diversity” of the identities under the umbrella.

I felt, on seeing this term, a sense of unity and community that the LGBTQI acronym had just never given me. GSD gives me the space to both relate to people who are oppressed by systems of power and identify positively with their gender and sexuality in similar ways, but also the space to respect everyone’s different journey, struggle and lived experience.

James Nichols says that the new acronym symbolizes a “shifting focus from single-issue political gains towards the creation of a more equitable society for all individuals marginalized by power and privilege.”

So here’s a final breakdown of why I like the term:
  • ·        More inclusive of all our diverse friends!
  • ·        More coherent/less of a mouthful (phew!)
  • ·        Inclusive of all without being overly general
  • ·        Symbolically moving us towards societal tolerance
  • ·        The acronym can also stand for Gorgeous Sassy Dinosaurs





Comic Corner: The Unbeatable Squirrel Girl


The title of this blog isn't for nothing, y'all! It's time to recommend a comic that is gender-friendly and all-around amazing:

THE UNBEATABLE SQUIRREL GIRL



This new Marvel series (2015-present) is everything I have ever wanted in a comic - it's funny and smart, has great art and well-written storylines and dialogue. What makes it SUPERB, though, is who Ryan North and Erica Henderson have re-made Squirrel Girl into as a character. She is independent, but not afraid to accept help from her furry and non-furry friends alike, making her a strong character without turning her into "strong independent lady" archetype #5,971,867,657. One of her best traits is her accepting, empathetic, friendly nature - she befriends a prickly (read: I identify strongly with her) roommate and has one of the funniest, heart-warming conversations I've ever read with big-baddie Galactus (issue #4). 



Can I also give a shout out to her admirable self-esteem? She actually made me reconsider my own reflection in the mirror. I thought representation was something I talked about and theorized, until it happened to me. Seeing her so confident and happy with her body, I kid you not, altered my self-esteem. I finally had a superhero who looked more like me and was....*gasps*.....happy with herself!  



I look forward to reading Squirrel Girl pretty much constantly - her adventures are exciting, fun and make me laugh out loud but also think. She gives me the hope to go on wading through rack after rack of images of inexplicably tiny costumes, absurd body types and positions, and mind-numbingly misogynistic writing. Squirrel Girl is truly unbeatable by villains or society. She is complex, multifaceted and, though part squirrel, very human. 

GO, RUN, CLICK and  buy her comics digitally here

See when the next one will come out or where to buy one here

Thursday, May 7, 2015

Friendzone

"Anarcho-temporal is  a word" ~Serena

Real-Talk Recommendations 5/7/15


Time for this week's Real-Talk Recommendations y'all!

I'm mixing up the format a bit - thank you for bearing with me, I'm still trying to figure out all these blog shenanigans (Side Note: She-Nanigans would be an awesome name for a girl-band). Anyways, I am going to move towards more general recommendations instead of rigid categories, which go against my post-structuralist sensibilities. Let's get started!


#TBT recommendation: Braceface



Remember this show???? At first recollection, I was sure I would re-watch it and be vaguely annoyed at a slim, white, privileged character embodying stereotypes about teenage girls. WRONG. While she does talk about shopping, her love interest etc. she also deals with her parents' divorce, her sexuality and expectations of young women. The episode about her getting her period and the one about her health class baby-simulator (links below) were particularly amazing. Not only did they deal frankly and funnily with periods and getting pregnant, but also, in an impressively meta way, about how these things are represented in media and society. 

Some choice quotations:

Sharon's mom on parenting: "Everyone needs help sometimes, Sharon. That's life." Hold. Back. Tears.

Sharon (14 years old) on being a mom: "Maybe I'll just have pets..."

Sharon's crush on his sisters and their periods: "Violet just listens to Sarah Mclachlan and cries a lot." PREACH. Ammirite ladies.....?





Tumblr Recommendation: Brute Reason 




As the title of the blog suggests, it is not for the faint of heart. This tumblr blog is great for any intersectionally (it's a word in my world) interested activist. It covers everything from the prison industry and feminism to war and mental illness. The blog is a collection of the blogger's thoughts and snippets from outside articles, studies, speeches etc. That makes it a great resource to find articles and activists about the issues you care about while also introducing you to new issues, perspectives and thoughts. In fact, the mix of the blogger's voice and all the other voices, makes it a very interesting and elegant platform for raising these issues. The brute is there for a reason - I found some of the posts a bit triggering so please, please, please be careful when you read this that you are in a good mental, emotional space to do so! These issues are important, but so is your well-being!

Song Recommendations 




"Gun in my Hand" - Dorothy  --- husky, country, angry lady

"Digital Witness" - St. Vincent ---  mechanical-pop, media critique (watch!)

"She" - Laura Mvula --- ethereal, light synth, wistful (watch!)

"Ho Hey" - Cover by Lennon and Maisy --- cute sisters singing a lovely song





Tuesday, May 5, 2015

ART ATTACK: Zanele Muholi


I found out about Zanele Muholi from the Spring 2015 issue of Aperture, "Queer," and was instantly blown away by her images, which both recall a tradition of African photography and vaults it forward into a progressive future.


                                                            
Left: Muholi, Lesedi Modise, Mafikeng, North West, 2010     Right: Keita, Portrait of a Woman, 1950s-1960s 
                                           
Her project, Faces and Phases, is comprised of black lesbians in South Africa imaged against often patterned backgrounds. If this seems familiar, it's because it strongly recalls the stunning photographs of Malian photographer, Seydou Keita. Where Keitou's photographs interacted highly with the pictorial traditions of the time, Muholi's images have a deeper activist role to play. She insists on the term "visual activist", saying,

"If I were to reduce myself to the label 'visual artist,' it would mean that what I'm doing is just for play, that our identities as black female beings who are queer or are lesbian, is just art. Art needs to be political - or let me say that my art is political. It's not for show. It's not for play."
(Aperture, Spring 2015, p.64)

Be still my heart. Too often it is easy to forget that art is not just a luxury or esoteric field - it is a language of struggle, violence, joy and celebration. As much as it is made, it makes us, changing us and the world around us.

Muholi, from her Faces and Phases series

I find Muholi's use of language surrounding her photographic process particularly interesting. She refuses to use the term "subject," as she links it to the word, subjugation. In my Art History training, I have always thought of "subject" as the preferable position, the privileged position, as opposed to "object." Especially as a feminist, subjecthood has always been the pinnacle to me. So it was interesting to hear from her that this word might not be as paramount as it seems, that the position of subject, in the eye of the Western camera may still be a place fraught with prejudice and difficulty. Muholi prefers the term, "participant," (Aperture, Spring 2015, p.63) because it gives the woman in front of the camera mor agency, activity and ability to consent. It radically changes how we traditionally think of the power dynamics involved in the photographic process, which I find exhilarating and especially appropriate for an activist project fighting heteronormative standards.

Left: Muholi, Teekay Khumalo, B B Section, Umlazi, DurbanI, 2012 Right: Muholi, Bakhambile Skhosana, Natalspruit, 2010


Muholi ends her fabulous interview by encouraging "young black female photographers, or females in any space, to document their own herstories." (Aperture, Spring 2015, p.64) Her photography is not only actvist in the revolutionary way it shows black queer women in South Africa in a positive, beautiful light, but also in the way it may encourage other women to make their voices heard. Something this blog, this blogger, is all about. I will end with her last statement, because you can't say it any better than she does.

"There are many stories that still need to be told by women, either through text or visually. So I'd like to say, Let's do it, let's do it together in ways that we never thought were possible, penetrating those impossible spaces like the galleries, like the museums around the globe."
(Aperture, Spring 2015, p.64)

Go see Muholi's work in her upcoming Exhibition at the Brooklyn Museum running from May 1st - November 1st, 2015!!! (link below)

Links:

Read more of the Interview Here (subscribe for the full one - or read it in Barnes and Noble....not that I did that....)





Friday, May 1, 2015

Queer, Fear and Passing



In Adrian Piper’s seminal essay, “Passing for White, Passing for Black” (link below – highly recommended) from 1991, she explores, as she does in her art works, the ethics of “passing.” Passing means to be identified by others to be part of a majority with systematic political, social, or economic power while truly belonging to, or identifying with a minority or oppressed group. Piper’s work focuses on, as the title suggests, the implications of passing as white, whether she owes it to herself to benefit from a system that might otherwise oppress her, or to remain in solidarity with her ethnic background and face the consequences of that identity.



Piper, Mythic Being series, 1975


Piper, Mythic Being series, 1973

I identify as queer, sometimes bi [a choice I will discuss more in a future post] because I am attracted to, emotionally and physically, to men and women. In some ways, I embody the stereotypes of a queer woman, from my haircut choice to my clothing choices, except for one major exception – I am in a committed, long-term relationship with a man. When we walk down the street we can hold hands without fear; we receive accepting looks from almost everyone (we are still both people of color, so there are always some objectors) and, for all intents and purposes, I receive the full benefits of passing as straight.


People are often shocked when I tell them because they either didn't think I “look bi” (am I missing a mandatory forehead tattoo or something?) or they immediately say, “but you have a boyfriend.” The first comment is always just a bit frustrating; queer people should not have to identify themselves via physical coding unless they make that choice because it is right for them. I also find it funny that people seem to believe that queer women have some genetic code that makes them into rabid zombies until they don a short haircut, a military vest and listen to Dar Williams (I am “guilty” of all of these things – lock me up in awesome-prison, officer).
The second one, I find much more troubling. This comic from one of my absolute favorite Instagrammers, Chris Hallbeck (@chrishallbeck) sums it up pretty wonderfully.



My sexuality does not pause when I am single; it is a lived experience, a subjecthood I embody and identify with every day. Because someone else does not experience me as queer, does not mean I am any less so. And though I am now in a socially accepted relationship, I have experienced my fair share of prejudice, ignorant comments, and the feeling Piper explains so well of being excruciatingly aware of your Otherness in a room full of people. I am always aware that it is by force of chance that I am allowed to engage with hetero-privilege in this way and that, should I have made a different decision, my life would be exponentially more difficult, more dangerous.


Of course this does not mean I love my boyfriend any less – he’s a truly wonderful man and I love him to pieces. Which is why it only frustrates me that our relationship is both questioned by others when made aware of my queerness and thrown into ethical tension by the identities society posits on both of us. I often feel like a bad queer woman, feminist and person for getting privilege I somehow feel I don’t deserve, for being made part of a club I never wanted to join. I wonder if people listen to me because they make assumptions about my orientation, whether they will still listen when they know. My attempts to subvert the system and challenge beliefs are always offset by my gained advantages from it. While it is (duh) wonderful to love without fear, I am constantly and acutely aware of those who cannot, of the system of power I am benefiting from that harms people I love, that would turn on me in a second.


This all lives in stark contrast to the fact that I experience real oppression – I am subjected to lewd sexualization when I say I am bi; my sexuality, what should be a source of pleasure and joy, has, especially when I was younger and not out to myself or others, played a real part in my anxiety and depression. I have felt threatened, Othered, queered, feared, sad, alone. This makes my “privilege” seem rather hollow, a thin veneer of acceptance over a terrible relationship.


I have no clear-cut answer. I stay true to myself and hope that that is enough. I have learned, through force of will, not to shy away from The Question, to answer it clearly, concisely and without apology. I answer further questions with as much patience as I think they deserve. I openly voice my opinions on LGBTQI matters (to the point of being unabashedly that kid in every room I enter). I remain an active part of the queer community and raise awareness and knowledge in any way I can. And though none of this will ever be enough, I live and act and fight in hopes of making a world where I have no more privilege than any openly, visibly queer, gay or trans couples or any less than a straight couple, where I do not have to pass to live and love freely. It’s the least I can do.



Links: